A motif is defined as a recurring thing, for lack of a better word. It could be anything, recurred in any medium; one may find an example of a motif in a film. Suppose there was a movie about a pair of hitch-hikers in twentieth-century Aboriginal Australia. To connote, perhaps, the underlying aura of "death" as concerns the female main character, the color red may be seen as a visual motif, or recurring theme, as displayed in the costume-designer's choice of clothing for that character; the character wears red clothes to foreshadow incidents surrounding death. This is how I would define a motif.
A mask is a covering, a shield, or device, generally referring to that which serves as the covering of the face; used for a variety of reasons, among them, disguise, protection, or aesthetics. A mask can be generally, as concerns, seen as a barrier which protects the face.
The face, symbolically, is the most powerful point of reference leading into a person's mind, spirit, soul, and/or cognitive existence. In an sense indicative of Aeoleonicism, the face is an object of supreme delicacy, an avenue of potential vulnerability into the inner workings and encoding of the person; a breach of the security of a mask, generally, may result in an outside alteration of the focal points and proxy sensibilities of an individual's Amalgamated Role, and therefore reality.
A mech is a device that serves as a pilot-able contraption or vehicle, within which may be found any array of host of an alternate species or origin of the said device. Mechs are generally used in situations where a use of the mech supports the efficiency, safety, and/or nostalgic sensibility of the pilot or host of it's inception. For the most part, given their Aeoleonic tendencies of use, mechs are use in situations that may be classified as subtly or excessively extreme; the design of mechs are such tdhat the pilot is essentially set apart physically and emotionally from her or his actions and conduct.
When the Motif of Mask is layered upon the Mech, the end result is the cultural prism that is the "Tripple M", a doctrine of living and manner of thought which results to in a separation of the pitfalls of the means from an end.
27.10.08
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